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  1. Synthogy IVORY II AMERICAN CONCERT D

    Synthogy IVORY II AMERICAN CONCERT D

    174 € 21% IVA inc

    Instrumento virtual de piano

    Synthogy Ivory II American Concert D
     es un piano Steinway D de New York del año1951 alabado por algunos de los artistas de piano más importantes del mundo . Con una librería que pesa 49GB, este instrumento virtual independiente de Synthogy es el más grande de piano solo en la familia Ivory II consiguiendo incluso más detalle con hasta 20 niveles de velocidad, muestras de pedal más suaves y más muestras de la versión. Lo que es más, el estadounidense Concert D cuenta con un largo sustain natural, que son percibidos en su totalidad al decaimiento final con algunas de las notas sonando más de dos minutos. 

    Si usted está buscando un sonido rico, concierto clásico o simplemente desea ampliar su paleta de marfil de los pianos II, el estadounidense Steinway Concert Grand es la opción más clara. 

    El piano fue grabado en el  Françoys-Bernier Hall Concert D en Le Domaine Forget en la región de Charlevoix de Quebec donde de Synthogy ha capturado todos los matices con todo detalle para ofrecer un sonido suntuoso y una experiencia de interpretación sublime.

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  2. Erica Synths BLACk DUAL VCF

    Erica Synths BLACk DUAL VCF

    Entrega en 5-7 días

    399 € 21% IVA inc

    Módulo filtro multimodo 

    Erica Black VCF is dual multimode filter with CV control over cutoff and resonance for serious modular patches. The core of the VCF is highly stable, custom multimode VCF chip AS3320 (produced in Riga, btw). It can be used as two independent VCFs with simultaneous HP, BP and LP outputs, controls can be linked for stereo application and both VCFs can be chained in series or parallel to the summing output for ultimate modulations. Bonus feature – 16 band spectrum analyser – gives visual feedback on what happens on summing output.

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  3. Erica Synths BLACK MIXER V2

    Erica Synths BLACK MIXER V2

    Entrega en 5-7 días

    98 € 21% IVA inc

    Módulo generador mezclador de 3in 3out 

    Erica Synths Black Mixer is compact, high quality audio mixer with bonus feature – three buffered outputs.This allows you to send signals to several signal processing devices simultaneously, for example, split the output signal to LP and HP VCFs and create advanced bandpass and notch filters.

        Features:

    • 3 AC coupled inputs
    • 3 buffered outputs
    • Input and output protection
    • Protection against reverse PSU connection

    Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, we did not economise on the module width, we put design and usability first. Big knobs are assigned to functions that make difference in sound. The Erica Black series are a range of modules that together make an entire synthesizer.

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  4. Erica Synths PICO VOICE

    Erica Synths PICO VOICE

    Entrega en 5-7 días

    139 € 21% IVA inc

    Módulo generador de envolvente 

    Erica Pico Voice is amazingly versatile sound source just in 3HP. It features 8 sound generation algorithms: Karplus Strong, Chords, Wavetable, TB303 bassline emulation, PWM, Supersaw, Wavefold and Harmonic saturation, with three adjustable parameters per algorithm and CV control over one user defined parameter. Despite the small size, Pico Voice sounds bigger than it is!

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  5. Erica Synths HADSR Envelope Generator

    Erica Synths HADSR Envelope Generator

    Entrega en 5-7 días

    224 € 21% IVA inc

    Módulo generador de envolvente 

    Feature-rich five stage envelope generator. 

    The Erica Black HADSR Envelope generator is feature-rich yet easily operated five stage envelope generator. Use it with Black CV Expander to add more versatility.

    Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, we did not economise on the module width, we put design and usability first. Big knobs are assigned to functions that make difference in sound. The Erica Black series are a range of modules that together make an entire synthesizer.

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  6. Erica Synths FUSION VCF v2

    Erica Synths FUSION VCF v2

    Entrega en 5-7 días

    333 € 21% IVA inc

    Módulo filtro analógico

    24dB/12dB Fusion VCF is our take on the four pole lowpass filters. Each side of double triode drives signal between 2nd and 3rd stage of the filter, while germanium diodes are used to limit output signal.

    Result ultimately deep sounding VCF with unique character. Ingenious resonance volume compensation circuit and filter slope selection make this filter ideal for live performances. Bonus feature – 3 input mixer with dedicated mixer output. Try patching the MIX OUT into one of mixer inputs, increase input level until the mixer goes into self-oscillation and use the filter to alter the drone, you have! The Fusion VCF is an instrument on it’s own!

    The Erica Synths Fusion series modules are designed combining vacuum tubes and semiconductors therefore they bring warm, powerful sound and overdrive possibilities of vacuum tubes into your modular system. Erica Fusion series consist of range of modules used in sound shaping circuit – VCO, Mixer, real Ringmodulator using audio transformers and germanium diode ring, VCF, VCA and Analogue Delay/Flanger.

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  7. Synthogy IVORY II STUDIO GRANDS

    Synthogy IVORY II STUDIO GRANDS

    243 € 21% IVA inc

    Oferta especial! por la compra de IVORY STUDIO GRANDS en el mes de Octubre recibe gratis un IVORY II ITALIAN GRAND (DOWNLOAD) ¡Por valor de € 145 !

    Instrumento virtual de piano AAX native, AU, Mac, RTAS, Standalone, VST, Win

    Lo último de la muy aclamada serie de pianos virtuales Ivory II de Synthogy, Ivory II Studio Grands presenta dos clásicos pianos de estudio grabados en icónicos estudios.

    Steinway Model B Grand Piano
    El Steinway B es uno de los pianos más grabados de la historia y es ampliamente considerado el piano de estudio ideal. Su equilibrio único de tamaño y potencia lo convierten en un instrumento extremadamente versátil para todos los estilos de música. Este instrumento en particular fue seleccionado y preparado con la amable colaboración de Steinway & Sons® en su fábrica en Astoria New York.

    Antes de grabar, todo la regulación del piano, el sonido y la afinación se realizó en el sitio de un técnico de conciertos Steinway antes de ser cuidadosamente estudiados por el equipo de expertos de Synthogys. Las sesiones de grabación tuvieron lugar en la clásica sala de conciertos de Power Station NE, una réplica acústica de la famosa Central de Nueva York.

    Bösendorfer 225 Grand Piano Estudios de grabación Firehouse - Pasadena, California
    Este piano Bösendorfer 225 posee un tono y un equilibrio profundamente resonantes en todos los registros y tiene un lugar distinguido en la historia de la música grabada. Un poco más largo que la mayoría de los grandes de estudio de 7 '4 ", y con cuatro teclas adicionales de bajo, este instrumento ha aparecido en numerosas grabaciones de ganadores y nominados a los Grammy. Las sesiones fueron diseñadas por Tony Shepperd en Art Studio A de Firehouse Recording Studios en Pasadena, su venerado sonido fue capturado en esta sala de piano histórico.

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  8. Erica Synths FUSION BOX

    Erica Synths FUSION BOX

    Entrega en 5-7 días

    459 € 21% IVA inc

    Analogue FX Processor 

    Erica Synths Fusionbox is distinct multifunctional analogue effects unit that combines BBD chip based effects – delay, flanger, chorus – with an adjustable tube overdrive in the delay output and feedback path for extra thickness of sound. For more flexibility, lowpass filtering is fully adjustable from none to extreme for really deep bass sound. Special feature, not found in other contemporary stompboxes or effect units, is Vintage Stereo Ensemble.

    Vintage Stereo Ensemble provides the classic “stereo ensemble” effect, found on many vintage synthesizers from almost any brand and make. In stereo ensemble effect, the delayed, processed and filtered sound is added back to the dry (mono) audio with inverted phase for one channel, and direct phase in other. This gives it the distinct and unique moving character, different than that obtained with chorus effects. However, use of inverted phase in stereo field also adds certain peculiarities to watch out for. For example, when such stereo audio is played back on an older “surround” decoding sound system, ensemble effect sound may move to the rear sound channel. Also, if the output gets mixed back to mono, the effect may disappear. This also applies to mono subwoofer systems, or speakers that are placed too close. This is normal, and occurs with any similar vintage stereo ensemble processing. In case if such oddities are undesirable, to avoid mono mixing issues, you can choose to use only one of the output channels, or use two separate ensemble processors for left and right channels.

    Fusionbox has adjustable input gain, therefore it works with various sound sources – guitars, units with line level signals (synthesizers, grooveboxes, etc.) and modular synths. Footswitch allows to switch on or bypass effects making Fusionbox ideal for guitar players.

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  9. Erica Synths Black Stereo Mixer V2

    Erica Synths Black Stereo Mixer V2

    Entrega en 5-7 días

    149 € 21% IVA inc

    Módulo Mixer

    Erica Black Stereo Mixer is just what you need, if your setup has several nowadays gaining popularity modules with stereo inputs or outputs, like Black Hole DSP, Erica Fusion Delay, MI Clouds or some other.

    In order to save rack space, we designed compact mixer with lot of cool, performance oriented features.

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  10. Erica Synths Black Octasource

    Erica Synths Black Octasource

    Entrega en 5-7 días

    325 € 21% IVA inc

    Módulo LFO

    Erica Black OCTASOURCE is, what we want to believe, the LFO carried to it’s extremes.

    It features one of 8 waveforms available on 8 outputs phase shifted by 45 degrees OR all 8 waveforms simultaneously on all outputs. Futuremore, waveform selection, phase shift and LFO rate are CV controlled, and the rate can be synched to an external clock signal.

     

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  11. Erica Synths BLACK HOLE DSP

    Erica Synths BLACK HOLE DSP

    Entrega en 5-7 días

    299 € 21% IVA inc

    Digital FX Module

    Module that tops up Erica Black series with mind blowing sound effects. Custom effects are designed in close co-operation of Erica Synths team rider KODEK and of Spin CAD software creator Gary Worsham.

    Black Hole DSP as standard has 16 effects, each with 4 adjustable and CV controllable parameters and CV controlled effect select. Furthermore, external effect boards (sold sepertely), containing sets of effects, can adapt Erica Black Hole DSP to your way of creating music. Use the module together with Erica Black CV Expander for more delicate CV control over parameters.

    FX Algoryhtms:

    Bank 1:
    1. Simple delay: parameter 1: delay time L, parameter 2: delay time R
    2. Pitch shift delay: parameter 1 = delay time, parameter 2 = pitch / fIlter
    3. Moving lowpass delay: parameter 1 = edlay time, parameter 2 = filter LFO rate
    4. High pass delay: parameter 1 = delay time, parameter 2 = filter frequency
    5. Delay with regenerative feedback: parameter 1 = delay time, parameter 2 = "feedback / regeneration"
    6. Six-tap delay with resonant feedback: parameter 1 = delay time, parameter 2 = feedback
    7. Glitch delay: parameter 1 = grain / delay time, parameter 2 = filter
    8. Delay into reverb: parameter 1 = delay time, parameter 2 = reverb

    Bank 2:
    1. Four stage reverb: parameter 1 = reverb time, parameter 2 = filter
    2. Two stage reverbl: parameter 1 = reverb time, parameter 2 = filter
    3. Room: parameter 1 = reverb time, parameter 2 = filter
    4. Delay with HP/LP filter: parameter 1 = delay time, parameter 2 = 7-12h: low pass cutoff, 12-5h: high pass cutoff
    5. High pass saturation with reverb: parameter 1 = filter / saturation, parameter 2 = reverb time
    6. Granular delay: parameter 1 = grain size, parameter 2 = feedback (in maximum position: freeze)
    7. Delay into flanger: parameter 1 = delay time, parameter 2 = flanger feedback
    8. Chorus: parameter 1 = rate, parameter 2 = width

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  12. AJH Synth XV Diode Ladder Filter

    AJH Synth XV Diode Ladder Filter

    Entrega en 5-7 días

    349 € 21% IVA inc

    Version in black vintage design

    The Sonic XV Eurorack module is a four pole Diode Ladder Filter, featuring the circuitry and sound of the Musonics Sonic V synthesiser, which has a quite different character from transistor ladder filters. In addition to the regular 24dB Low Pass output we have added a 6dB Low Pass output and a Bandpass output, along with full voltage control of the resonance.

    Two waveshapers have been added to hugely increase the sonic versatility of this module. There is a breakpoint based wavefolder on the input, with drive level that can be manually adjusted or voltage contolled. A bias control switch allows extra waveshape variations.

    A second waveshaper is connected to the resonance circuit, which adds distortion and waveshaping to the resonance loop signal, again the drive can be adjusted manually or under full voltage control. A wet/dry mix control allows resonance waveshaping to be added from 0 to 100%.

    These additions take the diode ladder fllter core way beyond it’s original function, it becomes a “filter” module that can add harmonics and shape waveforms rather than simply filtering them. With four independant CV inputs very complex filtering and waveshaping sounds become possible.

     

     

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  13. Erica Synths FUSION Delay/Flanger/Vintage Ensemble

    Erica Synths FUSION Delay/Flanger/Vintage Ensemble

    Entrega en 5-7 días

    429 € 21% IVA inc

    Erica Synths Fusion Delay/Flanger/Vintage Ensemble module is distinct multifunctional analogue effects module that combines BBD chip based effects with an adjustable tube overdrive in the delay output and feedback path for extra thickness of sound.

    For more flexibility, lowpass filtering is fully adjustable from none to extreme. Special feature, not found in eurorack, is Vintage Stereo Ensemble – effect that’s common on vintage synthesizers to create moving and thick spatial sound from a monaural tone generator, be it FM, DCO or any other kind. Such a spatial effect is achieved by mixing dry source with delayed and lowpass filtered out of phase signal.

     
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  14. AJH Synth MINIMOD RING SM Black

    AJH Synth MINIMOD RING SM Black

    Entrega en 5-7 días

    345 € 21% IVA inc

    Ring Modulator - Sub Bass generator and Mixer 

    The RING SM module is quite unique because its ring modulator circuit is based on a discrete transistor AC coupled Gilbert Cell design dating back to the early 1960's. The overload and distortion characteristics are rather different and more musically useful. There´s a third Z input in addition to the usual Carrier (X) and Modulator (Y) inputs seen on other ring modulator designs. The Z Input is actually a second modulator input that has a different phase relationship with the ring modulator core and it can produce a more resonant sound when it is used. All three inputs (X, Y, and Z) can be used simultaneously. 

    The “Double” switch connects the X (carrier) input to the Y (modulator) input, so that if a Sine wave or Triangle wave is applied to the X Input then this will be doubled and the RM output will be one octave higher than the X input - no Y input is necessary for this to be generated. 

    There are two independant Sub Bass Generators: 
    Sub Bass -1 produces a shaped sinewave output one octave below the waveform applied to the X IN Input. Sub Bass -2 produces a shaped sinewave output two octaves below the waveform applied to the X IN Input. 
    The Sub Bass waveforms are not square waves but vary from a trapezoid wave with rounded edges at lower frequencies to sine like waveforms at higher frequencies and are useful up to 1kHz. They have a much lower harmonic content than regular square wave subs, they have been specifically designed sit much better in a mix and appear to have more drive and punch. 

    Also included is a five input, DC coupled mixer based on the discrete transistor CP3 modular design dating back to the early 1970’s. This uses discrete transistors rather than integrated circuits for the mixer core, because of its negative feedback loop and virtual ground circuit topology it actually performs quite well in this role, with no interaction between inputs and relatively low distortion - until it is overdriven. 
    The mixer inputs are IN 1, IN2, IN3, IN4 and IN5 jack sockets - however, when there is no patch lead inserted into these Input jack sockets the outputs of the Ring Modulator and Sub Bass Generators are automatically routed (normalised) through the mixer internally. Plugging a patch cable into any of the mixer inputs defeats the normalising for that particular input and allows it to be used as a regular mixer for both audio and control voltages. 

    Because the mixer section is DC coupled, it can be used to mix control voltages in addition to just audio signals, or it can even mix both audio and control voltages simultaneously, which allows it to be used as an asymmetric distortion module. 

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  15. Erica Synths 2 VOICE MIDI/CV Interface

    Erica Synths 2 VOICE MIDI/CV Interface

    Envío inmediato

    189 € 21% IVA inc

    Duophonic Paraphonic Midi/CV interface

    Precise duophonic MIDI/CV interface with 16Bit converters, directly adjustable Glide, a tune potentiometer and two FM/transpose inputs. The special feature is a paraphonic mode which exactly simulates the behaviour of an ARP Odyssey or a Formanta Polivoks exactly - it's a duophonic mode where a single gate is produced no matter which of the two keys is pressed.

    Each MIDI/CV channel has a 1V/octave output and a gate output. The CV input is used for transposing e.g. via an arpeggiator.
    Besides this there's a global output which emits the modulation wheel's value as a CV or note velocity CVs.

    In 1VOICE mode both CV/gate socket pairs output the same signal. In 2VOICE mode two different MIDI notes are interpreted.
    Paraphonic synths have one VCA only and therefore need only one envelope - for that reason the Gate1 output gives you both note's gate signals when the Gae2 socket is not used.

    The PROG button is used for programming when powering up the interface. If pressed once when the module is running it is used as a panic button.
    TUNE detunes both conencted VCOs in the same way and GLIDE determines the portamento time from 0 to 2 seconds.

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  16. Flame TALKING SYNTH Module

    Flame TALKING SYNTH Module

    Entrega en 5-7 días

    219 € 21% IVA inc

    As a spinoff of the discontinued and sought-after MIDI Talking Synth Flame now releases a new Eurorack module: the Talking Synth. 

    This product is also based on the SpeakJet chip that produces idiosyncratic sounds: from more or less sick robot speech to obscure synthesizer sounds. 
    The SpeakJet is not sample based as you might think, it has its own sound engine. 

    The Talking Synth offers three modes: 
    - SYNTH - internal synthesizer sounds 
    - PHONEMES - speech phonemes and effect sounds 
    - WORDS - ready-made words 

    In the first mode the layout of the pots is as follows: 1=Pitch, 2=noise, 3=LFO, 4=Osc. 
    In contrast the speech mode has 1=pitch, 2=bend, 3=speed, 4=sound. 
    The four parameters can be controlled manually with the potentiometers and also with CVs (0-10V). 
     

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  17. AJH Synth MINIMOD GLIDE + NOISE Silver

    AJH Synth MINIMOD GLIDE + NOISE Silver

    Entrega en 5-7 días

    239 € 21% IVA inc

    In just 6HP two Minimoog circuits are integrated; the transistor noise with three timbres and the glide generator with it's unique characteristic. 

    The noise-generating transistors are hand selected and analyzed to ensure that the noise has the same timbre as in the Minimoog. furthermore the noise is filtered with other transistors in order to producre red and pink noise. 

    In the Minimoog the Glide had a very unconventional, slightly exponential characteristic and the gliding up was significantly faster than gliding down. This behaviour was faithfully recreated in the Glide + noise module. The circuitry was expanded by a mode switch that determines if it glides up only, down only or in both directions. 
    A specialty of the Mini was taken over: the glide does not work constantly but it's being activated only when a key is depressed. For this reason the module has a HOLD gate input which makes it possible to gate the glide activity, be it with a sequencer for 303-ish sildes or how ever you like. With the on/off switch the glide can be completely deactivated.

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  18. AJH Synth MINIMOD GLIDE + NOISE Black

    AJH Synth MINIMOD GLIDE + NOISE Black

    Entrega en 5-7 días

    222 € 21% IVA inc

    In just 6HP two Minimoog circuits are integrated; the transistor noise with three timbres and the glide generator with it's unique characteristic. 

    The noise-generating transistors are hand selected and analyzed to ensure that the noise has the same timbre as in the Minimoog. furthermore the noise is filtered with other transistors in order to producre red and pink noise. 

    In the Minimoog the Glide had a very unconventional, slightly exponential characteristic and the gliding up was significantly faster than gliding down. This behaviour was faithfully recreated in the Glide + noise module. The circuitry was expanded by a mode switch that determines if it glides up only, down only or in both directions. 
    A specialty of the Mini was taken over: the glide does not work constantly but it's being activated only when a key is depressed. For this reason the module has a HOLD gate input which makes it possible to gate the glide activity, be it with a sequencer for 303-ish sildes or how ever you like. With the on/off switch the glide can be completely deactivated.

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  19. AJH Synth MINIMOD VCA Silver

    AJH Synth MINIMOD VCA Silver

    Entrega en 5-7 días

    213 € 21% IVA inc

    Accurate clone of the transistor VCA from the early Minimoog. To be exact it's a cascaded dual VCA, as the Minimoog had two, connected in series. Use the first for distortion and the second as master VCA. 

    This VCA module has two audio inputs with attenuators. For the first VCA you can jumper-select a high-gain mode which causes the circuit to overdrive. Similar to a guitar amp you can use the 1st VCA for controlling input level and distortion while the 2nd determines the output level. The amount of distortion depends also on the setting of audio 1 ?& 2 controls . The distortion clips the odd harmonics much more than the even ones which is a behaviour similar to tube amps. 

    The CV inputs 1 and 2 plus the offset potentiometer control the first VCA, while the Master CV input and the Master potentiometer control the second one. 
    If nothing is plugged into the master CV input, the Master control is the output volume controller. When a CV is present, the potentiometer turns into an attenuator. The master CV input is sensitve and can be overmodulated with high-amplitude CVs. 

    The module has a linear characterstic and should be modulated with exponential envelopes, e.g. the Dual Contour by AJH Synth which is a Minimoog envelope clone.

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  20. AJH Synth MINIMOD VCA Black

    AJH Synth MINIMOD VCA Black

    Entrega en 5-7 días

    213 € 21% IVA inc

    Accurate clone of the transistor VCA from the early Minimoog. To be exact it's a cascaded dual VCA, as the Minimoog had two, connected in series. Use the first for distortion and the second as master VCA. 

    This VCA module has two audio inputs with attenuators. For the first VCA you can jumper-select a high-gain mode which causes the circuit to overdrive. Similar to a guitar amp you can use the 1st VCA for controlling input level and distortion while the 2nd determines the output level. The amount of distortion depends also on the setting of audio 1 ?& 2 controls . The distortion clips the odd harmonics much more than the even ones which is a behaviour similar to tube amps. 

    The CV inputs 1 and 2 plus the offset potentiometer control the first VCA, while the Master CV input and the Master potentiometer control the second one. 
    If nothing is plugged into the master CV input, the Master control is the output volume controller. When a CV is present, the potentiometer turns into an attenuator. The master CV input is sensitve and can be overmodulated with high-amplitude CVs. 

    The module has a linear characterstic and should be modulated with exponential envelopes, e.g. the Dual Contour by AJH Synth which is a Minimoog envelope clone.

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  21. AJH Synth MINIMOD VCO Silver

    AJH Synth MINIMOD VCO Silver

    Entrega en 5-7 días

    345 € 21% IVA inc

    Faithful analog emulation of the VCO from the very first series of the Minimoog of which ca. 300 units have been built. Just like the original also the module is built entirely discrete with transistors, yet due to improved cicruitry the really aweful temperature stability of the Mk1-Minimoog is history. The sound is the same and the module features some modifications like PWM. 

    This VCO is surely not only interesting for hardcore Minimoog fans because it offers all of Minimoog's waveforms at individual outputs, also the "sharktooth" wave. 
    There are two selectable types of sync with controllable intensity. Besides exponential FM we also find linear FM. An other addition is the manually and voltage controllable pulse width modulation; it wasn't implemented in the minimoog and you were only able to select between fixed pulse widths. 
    The octave switch allows for setting the VCO in LFO mode and with negative CVs at the inputs it can oscillate pretty slowly. 
    The module can read internal CVs via the Doepfer Buss as long as no cable is inserted to the 1V/octave input. 

    The VCO is not oriented on later Minimoogs which partially used op-amps or transistor arrays with FET amplifiers - no, in this case the very early and rare Minimoogs are of interest which had tranistor based VCOs. The bad temperature stability which was caused by a design flaw in the CV summing stage was revised by AJH Synth. That means the oscillator sounds like it's supposed to and it's frequency remains stable. The transistors' specifications and values for resistors and capacitors are original.

    http://www.ajhsynth.com/sounds.html 

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  22. AJH Synth MINIMOD VCO Black

    AJH Synth MINIMOD VCO Black

    Entrega en 5-7 días

    345 € 21% IVA inc

    Faithful analog emulation of the VCO from the very first series of the Minimoog of which ca. 300 units have been built. Just like the original also the module is built entirely discrete with transistors, yet due to improved cicruitry the really aweful temperature stability of the Mk1-Minimoog is history. The sound is the same and the module features some modifications like PWM. 

    This VCO is surely not only interesting for hardcore Minimoog fans because it offers all of Minimoog's waveforms at individual outputs, also the "sharktooth" wave. 
    There are two selectable types of sync with controllable intensity. Besides exponential FM we also find linear FM. An other addition is the manually and voltage controllable pulse width modulation; it wasn't implemented in the minimoog and you were only able to select between fixed pulse widths. 
    The octave switch allows for setting the VCO in LFO mode and with negative CVs at the inputs it can oscillate pretty slowly. 
    The module can read internal CVs via the Doepfer Buss as long as no cable is inserted to the 1V/octave input. 

    The VCO is not oriented on later Minimoogs which partially used op-amps or transistor arrays with FET amplifiers - no, in this case the very early and rare Minimoogs are of interest which had tranistor based VCOs. The bad temperature stability which was caused by a design flaw in the CV summing stage was revised by AJH Synth. That means the oscillator sounds like it's supposed to and it's frequency remains stable. The transistors' specifications and values for resistors and capacitors are original.

    http://www.ajhsynth.com/sounds.html 

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  23. AJH Synth MINIMOD VCF Silver

    AJH Synth MINIMOD VCF Silver

    Entrega en 5-7 días

    275 € 21% IVA inc

    Faithful clone of the early Minimoog lowpass filter with all transistor pairs selected and matched by hand what was nt the case with the later Minis. The circuitry runs internally with exactly the same operational voltages and the transistors have the same specifications as 45 years ago. AJH Synth added voltage control of reconance and selectable overdrive. 

    -24dB/octave steep low pass filter with Moog's famous patented transistor cascade; like on early Minimoogs the transistors are entirely hand-selected for the sake of a better sound. The circuitry runs internally on exactly the same supply voltages and the transistors have the same specifications as 45 years ago, not being SMD types like the rest of the parts. 
    The resonance has been made voltage controllable with to a opto-electronic part, a vactrol. Unlike other vactrols this one can react on very fast voltage changes and allows for audio modulation. 
    For modulating the cutoff frequency there are not only the 1V/octave input but also sockets with1/3 and 2/3 volt per octave characteristic which simulate the Minimoog's keyboard tracking switches. The controllable exponential CV input is 30% more sensitive than the 1V/octave input and can be over-modulated. 

    It's nice to see the filter has three audio inputs with level controls which save you a mixer. Using a jumper you can change the behavoiur of the input stage and make it overdrive substantially.

    http://www.ajhsynth.com/sounds.html 

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  24. AJH Synth MINIMOD VCF black

    AJH Synth MINIMOD VCF black

    Envío inmediato

    279 € 21% IVA inc

    Faithful clone of the early Minimoog lowpass filter with all transistor pairs selected and matched by hand what was nt the case with the later Minis. The circuitry runs internally with exactly the same operational voltages and the transistors have the same specifications as 45 years ago. AJH Synth added voltage control of reconance and selectable overdrive. 

    -24dB/octave steep low pass filter with Moog's famous patented transistor cascade; like on early Minimoogs the transistors are entirely hand-selected for the sake of a better sound. The circuitry runs internally on exactly the same supply voltages and the transistors have the same specifications as 45 years ago, not being SMD types like the rest of the parts. 
    The resonance has been made voltage controllable with to a opto-electronic part, a vactrol. Unlike other vactrols this one can react on very fast voltage changes and allows for audio modulation. 
    For modulating the cutoff frequency there are not only the 1V/octave input but also sockets with1/3 and 2/3 volt per octave characteristic which simulate the Minimoog's keyboard tracking switches. The controllable exponential CV input is 30% more sensitive than the 1V/octave input and can be over-modulated. 

    It's nice to see the filter has three audio inputs with level controls which save you a mixer. Using a jumper you can change the behavoiur of the input stage and make it overdrive substantially.

    http://www.ajhsynth.com/sounds.html 

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  25. AJH Synth DUAL CONTOUR Silver

    AJH Synth DUAL CONTOUR Silver

    Entrega en 5-7 días

    275 € 21% IVA inc

    Two independent envelopes in one Eurorack module, which are accurate clones of the Minimoog's envelope generators. Each unit can be used as an AD or ADSD envelope. 

    AJH Synth stayed close to the original when designing the envelopes, even the internal operational voltages have been taken into consideration. The retrigger behaviour of the transistor based envelopes is special, because when re-triggering the envelope, it did't restart at 0V but at the momentary voltage. At longer decay settings the envelope got louser and louder, up to 10.5V. 

    The Minimoog envelopes had three parameters only: attack, decay and sustain. The release was switchable and it's length was determined by the decay parameter. You could use them either as attack-decay envelopes or attack-decay-sustain-decay. In the Dual Countour module this is selectable per envelope. 
    The envelopes can be fired manually with buttons.

    http://www.ajhsynth.com/sounds.html 

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  26. AJH Synth DUAL CONTOUR Black

    AJH Synth DUAL CONTOUR Black

    Envío inmediato

    282 € 21% IVA inc

    Two independent envelopes in one Eurorack module, which are accurate clones of the Minimoog's envelope generators. Each unit can be used as an AD or ADSD envelope. 

    AJH Synth stayed close to the original when designing the envelopes, even the internal operational voltages have been taken into consideration. The retrigger behaviour of the transistor based envelopes is special, because when re-triggering the envelope, it did't restart at 0V but at the momentary voltage. At longer decay settings the envelope got louser and louder, up to 10.5V. 

    The Minimoog envelopes had three parameters only: attack, decay and sustain. The release was switchable and it's length was determined by the decay parameter. You could use them either as attack-decay envelopes or attack-decay-sustain-decay. In the Dual Countour module this is selectable per envelope. 
    The envelopes can be fired manually with buttons.

    http://www.ajhsynth.com/sounds.html 

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  27. Cwejman S1 MK2 Analog Synth

    Cwejman S1 MK2 Analog Synth

    Consultar plazo de entrega

    3.299 € 21% IVA inc



    The S1 is a semi-modular, analogue monophonic synthesizer. It is easy to get started with since it is prepatched for optimal use of its sound producing possibilities and eliminates the need for external connections between modules during use. Each module can be disconnected and used separately, e.g. to control or be controlled by other instruments. This flexibility enables and simplifies experimentation with creation and reproduction of sound.

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  28. Waves ELEMENT 2.0 Virtual Analog Synth licencia

    Waves ELEMENT 2.0 Virtual Analog Synth licencia

    Precio regular: 119 €

    Precio especial: 57 €

    21% IVA inc
    Waves presenta elements: El primer sintetizador de Waves. Potenciado por  Virtual Voltage ™, Element es un instrumento polifónico de tipo analógico diseñado para ofrecer el sonido grueso y aspero de los clásicos, toda la precisión, la flexibilidad y el control de los actuales sintetizadores digitales. Element incluye una amplia gama de funciones útiles. Al igual que los efectos integrados. Un arpegiador 16-step / secuenciador. MIDI Learn para todos los controles. Y una enorme librería de presets, totalmente editables. Además, todos los parámetros se colocan justo delante de ti, para que cuando llegue la inspiración, no hay necesidad de recorrer páginas y páginas para personalizar los sonidos. Leads ardientes, bajos en auge, etéreos pads , electro-percusión, movimientos secuenciales, alucinantes efectos y mucho más: Element lo hace todo. Saber más
  29. UVI SYNTHS ANTHOLOGY II

    UVI SYNTHS ANTHOLOGY II

    119 € 21% IVA inc

    Una increíble colección de sonidos de sintetizador hardware, experta programado, esculpido individualmente con procesadores externos, multimuestreado y dominó a la perfección. Synth Anthology 2 ofrece los sonidos puros y potentes de 77 sintetizadores de hardware y tratados suavemente acentuados al gusto con los mejores procesadores de hardware en el mercado. Usted encontrará todo, desde los análogicos clásicos como el Oberheim Xpander y Júpiter 4 a potencias digitales como el Synclavier y FS1R a clásicos modernos como el OB-6, Prophet 6 y Minilogue, todos los expertamente programados y exquisitamente muestreado, una entrega de sonido auténtico e inconfundible de hardware.

    No importa cuántas variables que intentan emular en software todavía hay algo inconfundible sobre el sonido de un sintetizador hardware real, a partir de las diferencias sutiles entre voces analógicas a las variadas formas de diferentes filtros muerden su sonido; hay un carácter distinto y energía. Synth Anthology 2 ofrece el hardware de sonido auténtico y sin compromisos con todas las comodidades de un instrumento de software moderno.

    No hay tal cosa como "demasiado" cuando se trata de sintetizadores hardware. Todos ellos tienen su propia creatividad visiones, innovaciones, el carácter y particularidades sonora única. Lo que usted está buscando, de lo analógico a digital, clásico, vintage al futuro clásico, es probable que encontrará aquí. Con Synth Anthology 2, tendrá acceso a una colección sin precedentes de los sintetizadores de hardware, todos los principales fabricantes, cada tipo de síntesis, cada época, sintetizadores 77 en total. Roland, Yamaha, Oberheim, Sequential Circuits, PPG, Korg, Casio, Moog, ARP, Waldorf, NED, acceso, Kawai y más. Cargue patches multisampleados únicos para utilizar en su propio diseño de sonido o ajustelos y juntelos para hacer su propio sonido.

    Incluye:

    • Access Virus C • Akai AX80 • Alesis Andromeda • Alesis Fusion • ARP Chroma Polaris • ARP Odissey • ARP Quadra
    • Casio CZ-1 • Casio VZ-1 • Clavia NordLead
    • Dave Smith Prophet 6
    • Elka EK44 • Elka Synthex • Emu Emax • E-MU Emulator 2 • Ensoniq ESQ-M • Ensoniq Fizmo • Ensoniq SQ80 • Ensoniq VFX • Fairlight CMI IIx
    • Formanta Polivoks
    • Kawai K3 • Kawai K4R • Kawai K5000 • Korg DS8 • Korg DSS1 • Korg DW8000 • Korg Minilogue • Korg MS20 • Korg M1 • Korg PS-3200 • Korg Triton • Korg Wavestation
    • Mellotron M400 • Moog MemoryMoog • Moog MiniMoog • Moog Polymoog • Moog Source • Moog Sub37
    • NED Synclavier 2 • Novation Basstation 2 • Novation Nova • Novation Ultranova
    • Oberheim Matrix 6 • Oberheim OB6 • Oberheim OB-X • Oberheim Xpander
    • OSC OSCar
    • PPG Wave 2.3
    • Roland D-50 • Roland JD-800 • Roland Juno 60 • Roland Juno 106 • Roland Jupiter 4 • Roland Jupiter 8 • Roland JX8P • Roland TB-303 • Roland VP-330
    • RSF Kobol
    • SCI Prophet 5 • SCI Prophet VS
    • Seiko DS301 • Siel DK80
    • Studio Electronics ATC • Studio Electronics Boomstar 5089
    • Yamaha AN1X • Yamaha CS-80 • Yamaha CS20m • Yamaha DX7 • Yamaha DX100 • Yamaha FS1R • Yamaha SY77 • Yamaha SY22
    • Vermona Tiracon 6V
    • Waldorf MicrowaveXT • Waldorf Pulse • Waldorf Q

    http://www.uvi.net/en/synth-sound-design/synth-anthology-ii.html#listen

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  30. Synthogy IVORY II UPRIGHT Pianos

    Synthogy IVORY II UPRIGHT Pianos

    Envío inmediato

    Precio regular: 249 €

    Precio especial: 186 €

    21% IVA inc

    Instrumento Virtual Ivory II Upright Pianos

    Synthogy nos presenta cuatro pianos verticales diferentes: un Yamaha U5, un Hume de 1914, un piano de tachuelas de los primeros años del siglo pasado, y un Packard Honky-Tonk de 1915 que estuvo mucho tiempo en el famoso bar Cheers de Boston. Se ha capturado el sonido cada tecla hasta en 10 capas de velocidad distintas, abarcando más de 5.000 samples y 50 GB de datos. 

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