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  1. Doepfer A-120 Low Pass 1 Vintage Edition

    Doepfer A-120 Low Pass 1 Vintage Edition

    Entrega en 5-7 días

    118 € 21% IVA inc

    A-120 24dB Low Pass Filter

    Module A-120 is a voltage controlled low-pass filter, which filters out the higher parts of the sound spectrum, and lets lower frequencies pass through. 
    The Cut-Off Frequency determines the point at which filtering takes effect. 

    You can control this manually, or by voltage control (filter modulation, for instance by an LFO). Three CV inputs are available, and the sum of the voltages from these affects the filter cut-off. 

    VCF1 is a co-called "transistor ladder" design, with a cut-off slope of -24 dB/octave, as in various Moog synthesizers. 
    That's what gives it its classic, legendary Moog sound. 
    Resonance (or Emphasis) is adjustable all the way up to self-oscillation - in which case the filter behaves like a sine wave oscillator.

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  2. Doepfer A-188-1D BBD 4096 Stages

    Doepfer A-188-1D BBD 4096 Stages

    Entrega en 5-7 días

    165 € 21% IVA inc

    Doepfer A-188-1C BBD 4096 Stages

    Module A-188-1 is a so-called Bucket Brigade Device module. 
    BBDs have been used to delay audio signals before digital delays dethroned the BBD based effect units. 

    But BBDs have some very unique advantages (or disadvantages dependent on the point of view) over the digital counterpart which result from the special properties of the BBDs. 

    BBD circuits can be treated as a chain of Sample and Hold units (S/H) which pass on their voltages to the next S/H in the chain at each clock pulse. 
    In any case the sounds generated by module A-188-1 are very special. 

    Typical applications are: Flanger, Chorus, Analog Delay or Karplus/Strong synthesis. 

    But as the A-188-1 has a lot of very unique features (voltage controlled clock rate / delay time with extreme range, polarity switches for the CV inputs, feedback and BBD out/mix, clock and CV output of the high speed VCO, BBD clock input, feedback insert, feedback up to self-oscillation) a lot of unusual applications can be realized with the module (e.g. delay controlled by ADSR, envelope, random or sequencer with positive or negative effect). 

    The A-188-1 also has no built-in anti-alisaing filter in order not to limit the possibilities of the module. For this the CV out is intended. 
    Delay range for 4096 stage BBD module: ~ 8.19 - 4096 ms

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  3. Doepfer A-188-1C BBD 2048 Stages

    Doepfer A-188-1C BBD 2048 Stages

    Entrega en 5-7 días

    129 € 21% IVA inc

    Doepfer A-188-1C BBD 2048 Stages

    Module A-188-1 is a so-called Bucket Brigade Device module. 
    BBDs have been used to delay audio signals before digital delays dethroned the BBD based effect units. 

    But BBDs have some very unique advantages (or disadvantages dependent on the point of view) over the digital counterpart which result from the special properties of the BBDs. 

    BBD circuits can be treated as a chain of Sample and Hold units (S/H) which pass on their voltages to the next S/H in the chain at each clock pulse. 
    In any case the sounds generated by module A-188-1 are very special. 

    Typical applications are: Flanger, Chorus, Analog Delay or Karplus/Strong synthesis. 

    But as the A-188-1 has a lot of very unique features (voltage controlled clock rate / delay time with extreme range, polarity switches for the CV inputs, feedback and BBD out/mix, clock and CV output of the high speed VCO, BBD clock input, feedback insert, feedback up to self-oscillation) a lot of unusual applications can be realized with the module (e.g. delay controlled by ADSR, envelope, random or sequencer with positive or negative effect). 

    The A-188-1 also has no built-in anti-alisaing filter in order not to limit the possibilities of the module. For this the CV out is intended. 
    Delay range for 2048 stage BBD module: ~ 4.10 - 2048 ms

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  4. Doepfer A-188-1B BBD 1024 Stages

    Doepfer A-188-1B BBD 1024 Stages

    Entrega en 5-7 días

    129 € 21% IVA inc

    Doepfer A-188-1B BBD 1024 Stages

    Module A-188-1 is a so-called Bucket Brigade Device module. 
    BBDs have been used to delay audio signals before digital delays dethroned the BBD based effect units. 

    But BBDs have some very unique advantages (or disadvantages dependent on the point of view) over the digital counterpart which result from the special properties of the BBDs. 

    BBD circuits can be treated as a chain of Sample and Hold units (S/H) which pass on their voltages to the next S/H in the chain at each clock pulse. 
    In any case the sounds generated by module A-188-1 are very special. 

    Typical applications are: Flanger, Chorus, Analog Delay or Karplus/Strong synthesis. 

    But as the A-188-1 has a lot of very unique features (voltage controlled clock rate / delay time with extreme range, polarity switches for the CV inputs, feedback and BBD out/mix, clock and CV output of the high speed VCO, BBD clock input, feedback insert, feedback up to self-oscillation) a lot of unusual applications can be realized with the module (e.g. delay controlled by ADSR, envelope, random or sequencer with positive or negative effect). 

    The A-188-1 also has no built-in anti-alisaing filter in order not to limit the possibilities of the module. For this the CV out is intended. 
    Delay range for 1024 stage BBD module: ~ 2.05 - 1024 ms

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  5. Doepfer A-188-1A BBD 512 Stages

    Doepfer A-188-1A BBD 512 Stages

    Entrega en 5-7 días

    139 € 21% IVA inc

    Doepfer A-188-1A BBD 512 Stages

    Module A-188-1 is a so-called Bucket Brigade Device module. 
    BBDs have been used to delay audio signals before digital delays dethroned the BBD based effect units. 

    But BBDs have some very unique advantages (or disadvantages dependent on the point of view) over the digital counterpart which result from the special properties of the BBDs. 

    BBD circuits can be treated as a chain of Sample and Hold units (S/H) which pass on their voltages to the next S/H in the chain at each clock pulse. 
    In any case the sounds generated by module A-188-1 are very special. 

    Typical applications are: Flanger, Chorus, Analog Delay or Karplus/Strong synthesis. 

    But as the A-188-1 has a lot of very unique features (voltage controlled clock rate / delay time with extreme range, polarity switches for the CV inputs, feedback and BBD out/mix, clock and CV output of the high speed VCO, BBD clock input, feedback insert, feedback up to self-oscillation) a lot of unusual applications can be realized with the module (e.g. delay controlled by ADSR, envelope, random or sequencer with positive or negative effect). 

    The A-188-1 also has no built-in anti-alisaing filter in order not to limit the possibilities of the module. For this the CV out is intended. 
    Delay range for 512 stage BBD module: ~ 1.02 - 512 ms

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  6. Doepfer A-120 Low Pass 1

    Doepfer A-120 Low Pass 1

    Entrega en 5-7 días

    115 € 21% IVA inc

    A-120 24dB Low Pass Filter

    Module A-120 is a voltage controlled low-pass filter, which filters out the higher parts of the sound spectrum, and lets lower frequencies pass through. 
    The Cut-Off Frequency determines the point at which filtering takes effect. 

    You can control this manually, or by voltage control (filter modulation, for instance by an LFO). Three CV inputs are available, and the sum of the voltages from these affects the filter cut-off. 

    VCF1 is a co-called "transistor ladder" design, with a cut-off slope of -24 dB/octave, as in various Moog synthesizers. 
    That's what gives it its classic, legendary Moog sound. 
    Resonance (or Emphasis) is adjustable all the way up to self-oscillation - in which case the filter behaves like a sine wave oscillator.

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  7. Flame TALKING SYNTH Module

    Flame TALKING SYNTH Module

    Entrega en 5-7 días

    219 € 21% IVA inc

    As a spinoff of the discontinued and sought-after MIDI Talking Synth Flame now releases a new Eurorack module: the Talking Synth. 

    This product is also based on the SpeakJet chip that produces idiosyncratic sounds: from more or less sick robot speech to obscure synthesizer sounds. 
    The SpeakJet is not sample based as you might think, it has its own sound engine. 

    The Talking Synth offers three modes: 
    - SYNTH - internal synthesizer sounds 
    - PHONEMES - speech phonemes and effect sounds 
    - WORDS - ready-made words 

    In the first mode the layout of the pots is as follows: 1=Pitch, 2=noise, 3=LFO, 4=Osc. 
    In contrast the speech mode has 1=pitch, 2=bend, 3=speed, 4=sound. 
    The four parameters can be controlled manually with the potentiometers and also with CVs (0-10V). 
     

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  8. Flame 2013 Arpeggiator + X-2013 Expander

    Flame 2013 Arpeggiator + X-2013 Expander

    Entrega en 5-7 días

    375 € 21% IVA inc

    The Flame Arpeggiator 20013 is a 2 channel arpeggiator with separate analog outputs for the pitch CV, gate and velocity as well as the sequence clock. 
    Both arpeggios are also sent to the MIDI out port (channel 1 and 2). The first 4 notes of the arpeggio are availabe at CV Out 1-4 as well as MIDI channel 3. 
    Chords and scales can be adjusted with an internal keyboard and saved to 16 different user patches. 
    There are 9 different arpeggiator modes, each one contains several different directions like up, down,up/down... 
    Functions like Arpeggiator-Mode, Note-Repeat, Octave-Range and Sequence-Pattern are voltage controlable. 
    The internal sequencer can be synchronized from an external MIDI-clock.
    Each of the 10 sequencer tracks (ARP,BASS,X-OUT 1-8) can have its own clock division as well as its own sequence pattern. 

    The X-2013 modules features 8 additional clock/gate outputs as well as MIDI-In, MIDI-Out and MIDI-Thru ports.
     

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  9. Flame 4 VOX

    Flame 4 VOX

    Entrega en 5-7 días

    525 € 21% IVA inc

    The 4Vox is a quad wavetable oscillator with up to four voices per VCO, resulting in a maximum of 16 voices at four individual outputs. With the MIDI In the module can be played both with CVs and directly via MIDI which also allows for modulating some additional parameters. There are 39 memory locations for wavetables and 32 for all global parameters of the VCOs.

    The parameters of a wavetable can be controlled by CVs and by MIDI. For instance you can morph through a wavetable with a CV, a MIDI controller or manually with the potentiometer. The range of waves within a wavetable can be selected by minimum and maximum values individually per voice which allows for creating more complex morphs.
    Further controllable parameters are Detune, Semitone, Octave, Chord, Portamento, Amplitude and Amp Move (90 degrees phase shifted volume modulation of a VCO's 4 voices). Min and max values can be selected for those parameters as well. Via MIDI it's possible to control further parameters (notes, chords, pitch bend, patch selection and wavetable selection)

    The VCOs can be played analog (frequency by Pitch CV input), monophonic via MIDI or 4-voice polyphonic via MIDI.
    The VCO can be used as a voltage controllable LFO with 3 modes: loop, one shot and gates. The SYNC input is used to trigger/reset the LFO. In one shot mode the LFO can be used as a trigger delay, too (SYNC = trigger in, GATE = trigger output, PITCH = delay time).

    Each VCO has an analog 1V/octave input including a fine tune control (+/-1 semitone) and pitch control (approx. 10 octaves), two freely assignable CV inputs, two freely assignable potentiometers, a trigger input for Sync/LFO-reset as well as a Gate and VCO/LFO output

    The display can show a graphic of the selected waveforms.

    All global parameters and also the VCO's setings can be named and saved as a non-voltaile patch by the user. 32 memory locations are available.
     

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  10. Doepfer A-139-2

    Doepfer A-139-2

    Entrega en 5-7 días

    53 € 21% IVA inc

    A-139-2 Headphone Amplifier

    This module is a two-channel headphone amplifier with two audio inputs with level controls. Input 1 is normalled to Input 2. A common loudness/master knob controls the level with max. output power ~ 2 W per channel (@ 8 Ohm load). 

    The inputs and outputs are DC coupled (i.e. also useful for other applications like small loudspeakers, lamps, LEDs, magnets, motors - provided that the power is sufficient) 

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  11. Roland AIRA DEMORA

    Roland AIRA DEMORA

    Entrega en 2-3 días

    299 € 21% IVA inc

    Roland Aira Demora. Módulo efecto Delay

    Roland Aira Demora es un módulo de efecto delay. Se puede usar como una unidad autónoma o como módulo de rack. Dispone de CV/Gate con lo que lo podrás conectar a tu viejo hardware. Este módulo es perfecto tanto para productores de música electrónica coo para guitarristas, DJs, etc. Scooper tiene mas de 16 millones de pasos de resolución gracias a sus 24 bit y es totalmente re-programable vía PC o Mac, Smartphone o tablet, de ahí que puedan configurarse las conexiones entre los módulos internos que llevan y es el usuario quien define qué controles mapear sobre los potenciómetros (de ahí su doble rotulado con 'GRF')..Está diseñado digitalmente pero enfocado a la integración en entornos analógicos-modulares. 

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  12. Roland AIRA SCOOPER

    Roland AIRA SCOOPER

    Entrega en 2-3 días

    299 € 21% IVA inc

    Roland Aira Scooper

    Roland Aira Scooper es un módulo para el llamado efecto scatter. Se puede usar como una unidad autónoma o como módulo de rack. Dispone de CV/Gate con lo que lo podrás conectar a tu viejo hardware. Este módulo es perfecto tanto para productores de música electrónica coo para guitarristas, DJs, etc. Scooper tiene mas de 16 millones de pasos de resolución gracias a sus 24 bit y es totalmente re-programable vía PC o Mac, Smartphone o tablet, de ahí que puedan configurarse las conexiones entre los módulos internos que llevan y es el usuario quien define qué controles mapear sobre los potenciómetros (de ahí su doble rotulado con 'GRF')..Está diseñado digitalmente pero enfocado a la integración en entornos analógicos-modulares.  

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  13. Roland AIRA TORCIDO

    Roland AIRA TORCIDO

    Entrega en 2-3 días

    299 € 21% IVA inc

    Roland Aira Torcido. Módulo efecto distorsión clásico de Roland

    Roland Aira Torcido es un versátil efecto modular que combina el sonido de la clásica distorsión Roland con el control y una flexibilidad total. Se puede usar como una unidad autónoma o como módulo de rack. Dispone de CV/Gate con lo que lo podrás conectar a tu viejo hardware. Este módulo es perfecto tanto para productores de música electrónica coo para guitarristas, DJs, etc. Torcido tiene mas de 16 millones de pasos de resolución gracias a sus 24 bits y es totalmente re-programable vía PC o Mac, Smartphone o tablet, de ahí que puedan configurarse las conexiones entre los módulos internos que llevan y es el usuario quien define qué controles mapear sobre los potenciómetros (de ahí su doble rotulado con 'GRF')..Está diseñado digitalmente pero enfocado a la integración en entornos analógicos-modulares.

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  14. Roland AIRA BITRAZER

    Roland AIRA BITRAZER

    Entrega en 2-3 días

    299 € 21% IVA inc

    Roland Aira Bitrazer. Módulo efecto crusher

    Roland Aira Bitrazer es un módulo para el llamado efecto crusher. Se puede usar como una unidad autónoma o como módulo de rack. Dispone de CV/Gate con lo que lo podrás conectar a tu viejo hardware. Este módulo es perfecto tanto para productores de música electrónica coo para guitarristas, DJs, etc. Scooper tiene mas de 16 millones de pasos de resolución gracias a sus 24 bit y es totalmente re-programable vía PC o Mac, Smartphone o tablet, de ahí que puedan configurarse las conexiones entre los módulos internos que llevan y es el usuario quien define qué controles mapear sobre los potenciómetros (de ahí su doble rotulado con 'GRF')..Está diseñado digitalmente pero enfocado a la integración en entornos analógicos-modulares. 
     

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  15. Doepfer CABLE ADAPTADOR JACK 1/4"/ Mini Jack 3.5 mm 3m

    Doepfer CABLE ADAPTADOR JACK 1/4"/ Mini Jack 3.5 mm 3m

    Entrega en 5-7 días

    10 € 21% IVA inc

    Cable de 3m de Jack Macho mono a Mini Jack 3,5mm 

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  16. AJH Synth MINIMOD GLIDE + NOISE Silver

    AJH Synth MINIMOD GLIDE + NOISE Silver

    Entrega en 5-7 días

    239 € 21% IVA inc

    In just 6HP two Minimoog circuits are integrated; the transistor noise with three timbres and the glide generator with it's unique characteristic. 

    The noise-generating transistors are hand selected and analyzed to ensure that the noise has the same timbre as in the Minimoog. furthermore the noise is filtered with other transistors in order to producre red and pink noise. 

    In the Minimoog the Glide had a very unconventional, slightly exponential characteristic and the gliding up was significantly faster than gliding down. This behaviour was faithfully recreated in the Glide + noise module. The circuitry was expanded by a mode switch that determines if it glides up only, down only or in both directions. 
    A specialty of the Mini was taken over: the glide does not work constantly but it's being activated only when a key is depressed. For this reason the module has a HOLD gate input which makes it possible to gate the glide activity, be it with a sequencer for 303-ish sildes or how ever you like. With the on/off switch the glide can be completely deactivated.

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  17. AJH Synth MINIMOD GLIDE + NOISE Black

    AJH Synth MINIMOD GLIDE + NOISE Black

    Entrega en 5-7 días

    222 € 21% IVA inc

    In just 6HP two Minimoog circuits are integrated; the transistor noise with three timbres and the glide generator with it's unique characteristic. 

    The noise-generating transistors are hand selected and analyzed to ensure that the noise has the same timbre as in the Minimoog. furthermore the noise is filtered with other transistors in order to producre red and pink noise. 

    In the Minimoog the Glide had a very unconventional, slightly exponential characteristic and the gliding up was significantly faster than gliding down. This behaviour was faithfully recreated in the Glide + noise module. The circuitry was expanded by a mode switch that determines if it glides up only, down only or in both directions. 
    A specialty of the Mini was taken over: the glide does not work constantly but it's being activated only when a key is depressed. For this reason the module has a HOLD gate input which makes it possible to gate the glide activity, be it with a sequencer for 303-ish sildes or how ever you like. With the on/off switch the glide can be completely deactivated.

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  18. AJH Synth MINIMOD VCA Silver

    AJH Synth MINIMOD VCA Silver

    Entrega en 5-7 días

    213 € 21% IVA inc

    Accurate clone of the transistor VCA from the early Minimoog. To be exact it's a cascaded dual VCA, as the Minimoog had two, connected in series. Use the first for distortion and the second as master VCA. 

    This VCA module has two audio inputs with attenuators. For the first VCA you can jumper-select a high-gain mode which causes the circuit to overdrive. Similar to a guitar amp you can use the 1st VCA for controlling input level and distortion while the 2nd determines the output level. The amount of distortion depends also on the setting of audio 1 ?& 2 controls . The distortion clips the odd harmonics much more than the even ones which is a behaviour similar to tube amps. 

    The CV inputs 1 and 2 plus the offset potentiometer control the first VCA, while the Master CV input and the Master potentiometer control the second one. 
    If nothing is plugged into the master CV input, the Master control is the output volume controller. When a CV is present, the potentiometer turns into an attenuator. The master CV input is sensitve and can be overmodulated with high-amplitude CVs. 

    The module has a linear characterstic and should be modulated with exponential envelopes, e.g. the Dual Contour by AJH Synth which is a Minimoog envelope clone.

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  19. Doepfer PK88 USB

    Doepfer PK88 USB

    Entrega en 5-7 días

    769 € 21% IVA inc

    USB/MIDI Keyboard

    PK88 was designed especially for the requirements of the "mobile pianist" who needs a high class and easy to carry keyboard but is able to dispense with extended MIDI features. First of all the PK88 was made to combine it with an expander or software synthesizer - especially for piano sound generatirs. The PK88 uses a 88 keys high quality keyboard with patented real hammer mechanics. The case used is a rugged and easy to carry black flightcase with handle and removable lid that shows its advantage especially during live events.

    The MIDI features are limited to what the user of such a keyboard really needs: PK88 transmits MIDI note events with velocity on MIDI channel 1. The velocity resolution is 127 steps. We set a high value on the conversion of the mechanical impact to the MIDI velocity so that it is as close as possible to the bevaviour of a real piano - within the limited possibilities of MIDI. At the rear panel a double foot switch can be connected to obtain the piano features sustain (MIDI controller #64) and soft pedal (MIDI controller #67). E.g. our VFP2 can be used. At the rear panel you will find also the 2 MIDI outputs (parallel) and the power supply connector. 

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  20. Doepfer A-124 Wasp Filter Black/Yellow

    Doepfer A-124 Wasp Filter Black/Yellow

    Entrega en 5-7 días

    82 € 21% IVA inc

    Doepfer A-124 Wasp Filter Black/Yellow

    Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant"). 

    This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. 

    The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. 

    The module does not feature self oscillation in contrast to most of the other filters of the A-100 system. 

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  21. Doepfer A-118 Noise / Random Vintage Edition

    Doepfer A-118 Noise / Random Vintage Edition

    Entrega en 5-7 días

    80 € 21% IVA inc

    Doepfer A-118 Noise / Random Vintage Edition

    Module A-118 is (as you might have guessed) a noise and random voltage generator. It produces three types of signal: white noise, colored noise, and random voltage.

    White and colored noise can be used as audio sources, and also, in conjunction with a sample and hold module, as control voltages, and the random voltage is a useful source of voltage control, especially for its low frequency content. 

    The A-118 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the colored noise output.There are knobs to control the rate of change and amplitude of the random voltage, and two LEDs indicate the state of the voltage at any one time.

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  22. Doepfer A-114 Dual Ringmodulator Vintage Edition

    Doepfer A-114 Dual Ringmodulator Vintage Edition

    Entrega en 5-7 días

    86 € 21% IVA inc

    Doepfer A-114 Dual Ringmodulator

    Module A-114 contains two separate ring modulators. 
    A ring modulator outputs the product (Multiplication X • Y) of the signals at inputs X and Y. 

    It's similar to a VCA, but whereas a VCA only responds to positive voltages at the inputs (2-quadrant multiplication), the ring modulator responds to both positive and negative voltages (4-quadrant multiplication). 

    The ring modulator thus provides a refinement of amplitude modulation (AM). 

    Ordinary amplitude modulation will output the original carrier frequency fC as well as the two side bands (fC - fM, fC + fM) for each of the spectral components of the carrier and modulation signals - but ring modulation cancels out the carrier frequencies, and just lets the side-bands pass to the output. 

    A ring modulator is used for the production of bell-like sounds, alien voices, or just to produce new timbres.

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  23. Doepfer A-112 Sampler / Wavetable Vintage Edition

    Doepfer A-112 Sampler / Wavetable Vintage Edition

    Entrega en 5-7 días

    159 € 21% IVA inc

    Doepfer A-112 Sampler / Wavetable Module Vintage Edtion

    Module A-112 is the combination of a voltage controlled 8 Bit Sampler and a wavetable oscillator. On top of it the module is able to generate some special effects. 
    A-112 was designed as an additional sound source with the typical sounds of the early 8 bit samplers and is not comparable with the modern polyphonic MIDI samplers available on the market. 

    Sampling mode: 
    - 8 bit audio resolution, 
    - 128kB memory in 2 banks 64kB each (equivalent to 2 seconds of sampling time for each bank with 32 kHz sampling rate), 
    - audio input with attenuator, 
    - overload display in record mode (gate LED), 
    - possibility of MIDI Dump to store sounds in a computer via MIDI, 
    - non volatile memory for the 2 samples in the module, 
    - manual tune control for adjustment of sampling rate for record and play,
    - CV input (~ 1V/Oct), 
    - both manual tune and CV determine the sampling rate respectively the pitch (pitch range is 5 octaves), 
    - gate input (not a trigger: the sample starts at the positive edge of the gate signal and is played as long as gate is high or until the end of the sample is reached), 
    - manual Gate button, 
    - non filtered audio output (thus quantizing noise can be used as an element of the sound intentionally) 

    Wavetable mode: 
    - special appearance of the sampling mode when playing a sample, 
    - the audio input is now used as a second control voltage input for moving through the sample in 256 byte wide loops (wavetables). 
    - To achieve the typical wavetable oscillator sounds the sampling memory must contain corresponding wavetable data (normally loaded via MIDI dump). These data contain a set of wavetables with different harmonic content (e.g. a filter sweep) to get the typical wavetable sound while moving through the tables via CV2. But you may also use a "normal" sample and go through the sample with CV2 to obtain partially amazing sounds never heard before. 
    - You may use for example sampled speech and go with CV2 through the syllables or speech shreds to get really very extreme sounds. 
    - An ideal addition for this feature is the Offset/Attentuator module A-183-2 which can be used to adjust the position of the wavetable (Offset) and the modulation depth (Att.). 
    - As modulation source an LFO (A-145, A-146, A-147, A-143-3), ADSR (A-140, A-141, A-142, A-143-1/2) or a random voltage (A-118, A-149-1) may be used. Even a ribbon controller (A-198 or R2M), the Theremin module A-178, the Joystick A-174 or the Wheels module A-174-2 are useful to drive through the wavetables.

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  24. Doepfer A-110-2 Basic VCO Vintage Edition

    Doepfer A-110-2 Basic VCO Vintage Edition

    Entrega en 5-7 días

    135 € 21% IVA inc

    Módulo VCO

    Module A-110 is a voltage-controlled oscillator. This VCO's frequency range is about eight octaves (ca. 15Hz ... 8kHz). It can produce four waveforms simultaneously: square, sawtooth, triangle, and sine wave. 

    The frequency or pitch of the VCO is determined by the position of the octave (Range) switch and tuning (Tune) knob, and by the voltage present at the CV inputs. 

    Frequency modulation (FM) of the VCO is therefore a possibility. 

    Footage (the octave of the fundamental) is set by the Range control in five steps, and Fine tuning controlled by the Tune knob by about +/-1 one semitone (can be modified for a wider range). 

    You can control the pulse width of the square wave either by hand, or by voltage control - Pulse Width Modulation or PWM. 

    Technical remarks: 
    The core of the A-110 is a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). 

    The other waveforms are derived from the sawtooth by internal waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinite fast but takes a little bit of time the derived waveforms triangle and sine are not perfect ! At the top of the waveform they have a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converters. The sine is derived from the triangle by a simple diode-based converter and 
    the sine shape is not perfect (only a rounded triangle).

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  25. Doepfer A-110-1 Standard VCO Vintage Edition

    Doepfer A-110-1 Standard VCO Vintage Edition

    Entrega en 5-7 días

    166 € 21% IVA inc

    Módulo VCO

    Module A-110 is a voltage-controlled oscillator. This VCO's frequency range is about eight octaves (ca. 15Hz ... 8kHz). It can produce four waveforms simultaneously: square, sawtooth, triangle, and sine wave. 

    The frequency or pitch of the VCO is determined by the position of the octave (Range) switch and tuning (Tune) knob, and by the voltage present at the CV inputs. 

    Frequency modulation (FM) of the VCO is therefore a possibility. 

    Footage (the octave of the fundamental) is set by the Range control in five steps, and Fine tuning controlled by the Tune knob by about +/-1 one semitone (can be modified for a wider range). 

    You can control the pulse width of the square wave either by hand, or by voltage control - Pulse Width Modulation or PWM. 

    Technical remarks: 
    The core of the A-110 is a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). 

    The other waveforms are derived from the sawtooth by internal waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinite fast but takes a little bit of time the derived waveforms triangle and sine are not perfect ! At the top of the waveform they have a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converters. The sine is derived from the triangle by a simple diode-based converter and 
    the sine shape is not perfect (only a rounded triangle). 

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  26. ACL DUAL VC DELAY

    ACL DUAL VC DELAY

    Entrega en 5-7 días

    429 € 21% IVA inc

    Procesador analógico de delays

    The Dual VC Delay consists of 2 equal, independent delays A and B, each with it´s own feedback loop.

    Each contains a 6dB HP and a 6dB LP filter (not VC), but the internal feedback loop can be opened by patching a cable into the „IN FB“ - jacks to route other signal-processing modules into the feedback-loop. Please note that there is no „Dry-Signal“-path. By designing the module, we thought, it would be mostly used in combination with other modules to achieve some echoes and reverberated ambience, one could put one delay in the feedback-path of another delay for example – there are many different routing configurations, achieving strange modulated reverberated space by combining several Dual VC Delay-modules in various manner.

    Due to it´s vast flexibility, the module offers load´s of possibilities for hours-longing sessions of mangling signals, pitch modulation and the generation of phantastic ethereal outer galactic spaces. Used in parallel/stereo-mode, it generates voltage controlled modulated spatial effects with it´s own special character. The sound of the Princeton PT2399 delay chip often reminds for BBD-circuit´s which principle in fact shares similarities with the function of the PT2399 chip. Because the audio -and CV - input´s are normalized in the scheme of A=>B, the module is following your needs for many different patching situations easily. The sonic possibilities of using several module together can be mind blowing, especially when the almost endless possibilities of different feedback-routing are explored.

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  27. Doepfer A-100PMS6 Case PSU3

    Doepfer A-100PMS6 Case PSU3

    Entrega en 5-7 días

    825 € 21% IVA inc

    Maleta de transporte 6U (2 x 3U) PSU3 para módulos formato Eurorack de 168HP de anchura

     

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  28. Doepfer A-100P9 Case PSU3

    Doepfer A-100P9 Case PSU3

    Entrega en 5-7 días

    515 € 21% IVA inc

    Maleta de transporte 9U (2 x 3U) para módulos formato Eurorack

    useable width: 84 HP
    useable depth for modules: ~ 100 mm
    incluye: 1 power supply A-100PSU2 (1200mA), 2 bus boards

     

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  29. Doepfer A-100P6 Case PSU3

    Doepfer A-100P6 Case PSU3

    Entrega en 5-7 días

    444 € 21% IVA inc

    Maleta de transporte 6U (2 x 3U) para módulos formato Eurorack con PSU3 Power Supply

    useable width: 84 HP
    useable depth for modules: ~ 100 mm
    incluye: 1 power supply A-100PSU3 (2000mA), 2 bus boards

     

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  30. Audio Damage ADM15 Spectre

    Audio Damage ADM15 Spectre

    Entrega en 5-7 días

    315 € 21% IVA inc

    The Audio Damage ADM15 Spectre module allows you to freeze and mix FFT spectra (Fast Fourier Transform). The module’s audio path is true stereo. 

    The frozen frequency spectrum can be shifted up and downwards in two distinct modes of operation. With BIN shift the shift is linear (similar to frequency shifting) while the PITCH shif mode is capable of harmonic transformations. 

    The BLUR control adds noise to the frozen FFT frame and adds stereo decorrelation and blurring effects 

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